“There’s that guy with the mustache again.” At Chase, his piano slowly rotated as well, which he said would be just about the extent of the special effects. Joel recounted how, as we know, the stage rotates at Celebrity, and how he kept seeing the same 1970s faces. Joel of course mentioned the time he opened for Linda Ronstadt at Celebrity Theatre, which he always does, not that we're complaining. But always with that New Yorker wit, Joel concluded the single with, “And then we got divorced, so what the hell do I know?” Chase Field chose “The Longest Time” as the third song, taking it up to Innocent Man. “I had more songs than I had hits,” he said a number of times, and even gave the crowd the chance to pick the next track. Whether it was a statement on the times, it was definitely a statement on the kind of show we were about to get - one for beyond-the-radio-hits fans. It was an interesting choice over five minutes, kind of a deep pull, and backed by images of a post-apocalyptic New York City on stage. That production was immediately followed by “Miami 2017 (Seen the Lights Go Out on Broadway),” the concluding track on 1976’s Turnstiles. You wouldn’t think, but "Big Shot" was an amazing opener: Hard on the chorus, easy to sing along to, and the “white hot spotlight” resulted in some actual white-hot spotlights on the crowd. That’s when Joel and his band took the stage, almost out of nowhere, and started big with, well, "Big Shot." People who were seated roared, but many were still stuck in line for a beer.
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